1. Cost and Time.
Some big dramatic explosive effect can be made in a comic book for a matter of pennies. A similar thing would cost millions in a film. So why bother to put all that effort into it for big budget films? Just to keep the technical people in work? The comic effect can be also made in a fraction of the time involved for a film. As an extension of this: comics books can generally be made more quickly than films.
2. Personal vision
Aren't you astonished by the sheer amount of people involved in making a big budget film? The end credits that require TWO songs to be played over them just to fit everybody in! The requirement to have so many voices involved because of
the complexity of film making does mean having a personal vision in the creative work is so much harder. This is despite the autuer theory, which is largely discredited now. Comics, on the other hand, are still normally the product of one, two or perhaps three minds. This is definitely true at the independent level, but even in bigger companies. This fact alone creates a whole box full of positive characteristics.
3. Comics are more experimental, vital and bold.
Why do you think the film industry steals every decent idea that comic books have? The amount of films based on comic books has increased considerably over the last ten years or so. But ask yourself: how many can you think of that are anywhere near as good as the original in terms of artistry, boldness of vision, uniqueness, or even plain good story-telling? Only the American Splendour film comes to my mind.
4. Films don’t care about their viewers, but comics do.
This sounds strange, I will try to explain. If you are watching a film on TV, you can go off to the other room for a while and the film rudely carries on without you - as if you weren't there at all! A film is self-contained, it doesn't need you to let itself unfold. On the other hand, you can put down a comic book that you are reading, and go on holiday for a week. When you return, the comic is right there exactly where you left it, patiently waiting on you to turn the next page! So, comic books need the readers to make them come alive. Comics go at your pace; films just carry on regardless, whether you are paying attention or not.
5. Reading comic books is more active process.
It follows on from the above point that reading a comic book is a more active process than watching a film. It involves more of your intellectual processes. You have to make the story come alive, to voice the dialogue in your mind, to connect the visuals and the text, etc. Watching a film, though it also involves a perceptual process, is just that bit less active. This means that comics are also more personally engaging. You put your own interpretation to it, more so than with a film, so it becomes something you feel close to.
6. Books are physical.
A simple observation, but still important. For most people it still feels better to have a physical book in your hands than to read the same story online. Films do not have a physical presence in the way a comic book does. Yes, you can hold a VHS/DVD in your hands, but its basically packaging – it’s not the film itself. Comic books are the paper they are printed on. There is a tactile pleasure to be had from holding one in your hands, turning the pages, etc.
7. Movies get too much attention - support the underdog!
There is such a mystique about films and actors that, after a while, there is often a desire in intelligent people to turn away from them. They don't need anymore attention put their way. So lets put some of our money and time into more neglected art forms - of which comics is one.
8. Actors get paid too much (or the famous ones do anyway).
Why should actors get so much for what is basically standing around in someone else's clothes, reading someone else's lines to someone else's direction? I've been behind the scenes in several big budget films in the large UK studios and a lot of the acting is really not that hard! It’s often just being in the right place at the right time. With everyone around you doing the hard work: the make up team, the technical people, the stage designers, the sound people, the production assistants, etc.
By comparison comic book writers and artists get paid much less, even the very well known ones. Even though they often totally create the whole world of that book by themselves. There may be an editor, letterer and colorer that help a lot. Still, by comparison, the central team of writer/artist create the core of the artistic work for much less financial reward than within the film industry. (Of course I should say: some aspects of acting are VERY difficult and subtle and impressive. Also many new actors get paid very little and struggle for years).
9. The Film industry sucks!
This is a somewhat debatable point as the comics industry has not got a good reputation either when it comes to treating its creative people well. Still, having been involved in both some degree, in my opinion the film industry it is more two faced, whirl-wind, and cut throat than the comics industry.
10. The other people involved in the making of films get treated badly.
By 'other people' I mean the behind the scenes individuals, such as production assistants, make up, extra actors etc. The film industry is a bastion of class distinction, or you might even say apartheid! The main actors and 'above the line' creative team are like Gods, who have their own little world that exists near to, but oh so far removed from, the grubby world of the 'untouchables' who actually do much of the work of making the film. The world of these 'lower types' consists of standing in line in the rain for a meal of beans and hash brownies, waiting in dingy rooms for hours, long tedious work late into the night repeating the same scene again over and over. Of getting up even earlier than the main actors to make sure things are ready, of very little job security or health benefits, almost no recognition and certainly no glamour. Its a very unfair working environment and quite undemocratic. Perhaps, though, this is inevitable within such a money-orientated industry?
Again, by comparison comics don't have such a unfair working environment or so many people involved that are treated so badly. Even with a well-known Japanese manga-ka they often have only two assistants, who share a very similar working environment to their manga sensei. Still, to be fair, stories of mistreatment of assistants can be found in the comic industry. But the point is that it's not as bad or as common as in the film industry.
